- A prose satire
- Plot:
- Tale of a Tub comprises the tale itself, an allegory of the Reformation in the story of brothers Peter, Martin, and Jack as they attempt to make their way in the world, along with various digressions interspersed throughout. Each brother represents one of the primary branches of Christianity in the West. This part of the book is a pun on “tub”, which Alexander Pope says was a common term for a Dissenter’s pulpit, and a reference to Swift’s own position as a clergyman. Peter (named for Saint Peter) stands in for the Roman Catholic Church. Jack (named for John Calvin, but whom Swift also connects to John of Leiden) represents the various dissenting Protestant churches such as Baptists, Presbyterians, Quakers, Congregationalists and Anabaptists. The third brother, middle born and middle standing, is Martin (named for Martin Luther), whom Swift uses to represent the ‘via media’ of the Church of England. The brothers have inherited three wonderfully satisfactory coats (representing religious practice) by their father (representing God), and they have his will (representing the Bible) to guide them. Although the will says that the brothers are forbidden from making any changes to their coats, they do nearly nothing but alter their coats from the start. In as much as the will represents the Bible and the coat represents the practice of Christianity, the allegory of the narrative is supposed to be an apology for the Anglican church’s refusal to alter its practice in accordance with Puritan demands and its continued resistance to ally with the Roman church.
- From its opening (once past the prolegomena, which comprises the first three sections), the book alternates between Digression and Tale. However, the digressions overwhelm the narrative, both in their length and in the forcefulness and imaginativeness of writing. Furthermore, after Chapter X (the commonly anthologised “Digression on Madness”), the labels for the sections are incorrect. Sections then called “Tale” are Digressions, and those called “Digression” are also Digressions.
- A Tale of a Tub is an enormous parody with a number of smaller parodies within it. Many critics have followed Swift’s biographer Irvin Ehrenpreis in arguing that there is no single, consistent narrator in the work. One difficulty with this position, however, is that if there is no single character posing as the author, then it is at least clear that nearly all of the “personae” employed by Swift for the parodies are so much alike that they function as a single identity. In general, whether a modern reader would view the book as consisting of dozens of impersonations or a single one, Swift writes the Tale through the pose of a Modern or New Man. See the abridged discussion of the “Ancients and Moderns”, below, for more on the nature of the “modern man” in Swift’s day.
A Tale of A Tub (1704) – Jonathan Swift
About the Author: Abirlal Mukherjee (Mukhopadhyay)
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